See How (1963)

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See How They Run by Phillip King

This farce has been done twice by the group.  It was reprised, directed by Fay Carter (vale) in August 1997 as well as this production, produced by new director John Worgan in June 1963.  A "Pensioners' Preview" night was held on Thursday 27 June, and then two normal performances were given on Friday 28 June and Saturday 29 June 1963.

The play is set in 1943 for the original (or shortly after the end of World War II in the rewrite) in the living room of the Vicarage at the fictitious village of Merton-cum-Middlewick (merging various actual village names, such as Merton and Middlewick, both in Oxfordshire, along with the old British usage of 'cum', meaning 'alongside' in the middle of a village name, as in Chorlton-cum-Hardy).  In 1955 it was adapted as a film starring Roland Culver.

The lead character is Penelope Toop, former actress and now wife of the local vicar, the Rev Lionel Toop.  The Toops employ Ida, a Cockney maid.  Miss Skillon, a churchgoer of the parish and a scold, arrives on bicycle to gossip with the vicar and to complain about the latest 'outrages' that Penelope has caused.  The vicar then leaves for the night, and an old friend of Penelope's, Lance-Corporal Clive Winton, stops by on a quick visit.  In order to dodge army regulations, he changes from his uniform into Lionel's second-best suit, complete with a clerical 'dog-collar' in order to see a production of Private Lives (a Noël Coward play in which they had appeared together in their acting days), while pretending to be the visiting vicar Arthur Humphrey who is due to preach the Sunday sermon the next day.

Just before they set out, Penelope and Clive re-enact a fight scene from "Private Lives" and accidentally knock Miss Skillon (who has come back unannounced) unconscious.  Miss Skillon, wrongly thinking she has seen Lionel fighting with Penelope, gets drunk on a bottle of cooking sherry and Ida hides her in the broom cupboard.  Then Lionel, arriving back, is knocked silly by a Russian spy on the run, who takes the vicar's clothes as a disguise.  To add to the confusion, both Penelope's uncle, the Bishop of Lax, and the real Humphrey unexpectedly show up early.  Chaos quickly ensues, culminating in a cycle of running figures and mistaken identities.  In the end, a police sergeant arrives in search of the spy to find four suspects—Lionel, Clive, Humphrey, and the Russian—all dressed as clergy.  No one can determine the identity of the spy (or anyone else for that matter), and the Russian is almost free when he is revealed and foiled by the quick work of Clive and Ida.  The scene calms down as the sergeant leads the spy away and Humphrey leaves.  Miss Skillon emerges from the closet, and she, the Bishop, and Lionel demand an explanation.  Penelope and Clive begin to explain in two-part harmony, getting up to the scene from "Private Lives," when Miss Skillon again manages to catch a blow in the face.  She falls back into Ida's arms as the curtain falls.

bulletSee How They Run Programme (pdf file 166,041 bytes - 100 dpi)

Photo Gallery

The below pictures are thumbnails.  To see the full-sized pictures, simply click on the thumbnail images.  Thanks to Barry Beggs for contributing some of these items.

Full Cast: Barry Beggs, Ted Bryant, George Geatches, Ellaine Mumberson, George Glading, Bonnie Bryant, Fred Chapman, Gwen Clarke and Arthur Gleed
Ellaine Mumberson, Barry Beggs, Fred Chapman, Arthur Gleed, George Geatches, Ted Bryant and George Glading
Arthur Gleed and Gwen Clarke
Bonnie Bryant and George Geatches
Fred Chapman and George Glading
Ellaine Mumberson, possibly George Glading and Bonnie Bryant.  Walking past on the floor (out of focus) is director John Worgan.

Tuggerah Lakes News: Wednesday 12 June 1963

An announcement about a new member (Nanette Isaacs) who attended a meeting for the first time, and the introduction of a Thursday Night Pensioners' preview before the main Friday and Saturday performances. Note that nothing much has changed in that the paper got the title of the play slightly wrong.

Tuggerah Lakes News: Wednesday 19 June 1963

Tuggerah Lakes News: Wednesday 26 June 1963

Review by Neville Goldsworthy in the Wyong (& Lakes District) Advocate on Wednesday 3 July 1963.

This is quite a long review of the play from Neville who saw the show on both the Friday night (with an audience of around sixty) and the "much better" Saturday night (with around a hundred and ten in the audience).

(Note that these articles can be expanded in the browser window they open in by clicking on the picture and scrolling around)

 

Photo to accompany "JW's" review in the Tuggerah Lakes News, Wednesday 3 July 1963.

(Note that these articles can be expanded in the browser window they open in by clicking on the picture and scrolling around)

Review by "JW" in the Tuggerah Lakes News, Wednesday 3 July 1963.

This one contains a very frank review of the play along with the picture.  A classic quote:  One could not be sure whether George Geatches was about to forget his lines as the Reverend Lionel Toop or was playing faithfully the part of a dithering village vicar.  (!)

There have also been reasonably extensive notes typed up for this show based on the programme.  Here they are verbatim:

See How They Run  (June 1963)

A farce by Phillip King  -  Produced by John Worgan

The action takes place in the hall of the Vicarage at Merton-cum-Middlewick - a small village.

Act I      An afternoon in September

Act II     The same night

Act III    A few minutes later

Characters (in order of appearance)

bulletIda                                      Gwen Clarke
bulletMiss Skillon                           Bonnie Bryant
bulletThe Rev Lionel Toop               George Geatches
bulletPenelope Toop (his wife)         Ellaine Mumberson
bulletLt-Corporal Clive Winton         George Glading
bulletThe Intruder                          Barry Beggs
bulletThe Bishop of Lax                  Arthur Gleed
bulletThe Rev Arthur Humphrey        Ted Bryant
bulletSergeant Towers                     Fred Chapman

See How They Run is built round the old theme of mistaken identity.  The masquerading causes many farcical mix-ups.  The author, who is responsible for two other plays (Monday Next & Without a Prince) has not missed an opportunity of erecting hurdles right and left for his characters to clear or to crash into.

Our Thanks To:-

bulletSound Effects                         Barry Beggs
bulletBusiness Manager                   Mildred Ede
bulletBookings                               Les Turton & staff
bulletPublicity                                Advocate & News
bulletMake-up                                June Colquhoun
bulletFashion Furnishings                Cnr Railway & Church Street Wyong

Tea and Biscuits will be served during the interval (6d)

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Copyright © May-11 by Peter Deane   -  Last modified: Monday, 18 July 2011 02:47 AM