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By Emlyn Williams

Produced by Bonnie Bryant

Performed August 1968

Gallery of the cast and action from Night Must Fall. Click the images to view them full-size.

With thanks to Les Turton for the photography.

This is a Bonnie Bryant production, opening in August 1968.  It was the Wyong Drama Group entry into the Arts Council's Drama Festival sponsored by the Bank of New South Wales.  It was adjudicated by Mr Reid Douglas with the adjudicated entry being Sunday 26 August 1968.  The play was later reprised by Bonnie in 1991.


The play is a top-notch thriller from the 1930s.  Danny is a wickedly charming Irish bellhop who wins the confidence of an elderly invalid, Mrs Bramson.  The old woman's niece, Olivia, is not so easily swayed by Danny's blarney, but she finds him strangely attractive, especially when he exhibits a streak of viciousness.  Even when the possibility arises that Danny is a wanted murderer, Olivia is hesitant to call the police.  The final scene, in which Danny ambles around the house carrying a hatbox that may or may not contain Mrs Bramson's head, is unforgettable.

You can access show programme below, and also read the script for Night Must Fall, courtesy of The Gutenberg Project.


Bonnie Bryant


MRS BRAMSON - Pamela Jones
OLIVIA GRAYNNE - Mary Skidmore
HUBERT LAWRIE - Howard Woodward
NURSE LIBBY - Pamela Say
LAURA PARKOE - Beverley Say
DAN - Howard Cassidy

Night Must Fall
The House By The Lake


By Tennessee Williams

Directed by John Werleman

Performed December 1968

The play was performed on Saturday 14 December & Sunday 15 December 1968. It was the first mention of that word "director" with the director for this play being John Werleman, who also played Tom.

The play is introduced to the audience by Tom as a memory play, based on his recollection of his mother Amanda and his sister Laura.

Amanda's husband abandoned the family long ago. Although a survivor and a pragmatist, Amanda yearns for the illusions and comforts she remembers from her days as a fêted Southern belle. She yearns especially for these things for her daughter Laura, a young adult with a crippled foot and tremulous insecurity about the outside world.

Tom works in a warehouse, doing his best to support them. He chafes under the banality and boredom of everyday life and spends much of his spare time watching movies in cheap cinemas at all hours of the night. Amanda is obsessed with finding a suitor for Laura, who spends most of her time with her collection of little glass animals. Tom eventually brings a nice boy named Jim home for dinner at the insistence of his mother, who hopes Jim will be the long-awaited suitor for Laura. Laura realises that Jim is the man she loved in high school and has thought of ever since.


Photograph taken by Les Turton and appearing in the Wyong Advocate

(View Full-Size Image)

After a long evening in which Jim and Laura are left alone by candlelight in the living room, waiting for electricity to be restored, Jim reveals that he is already engaged to be married, and he leaves. During their long scene together, Jim and Laura have shared a quiet dance, and he accidentally brushes against the glass menagerie, knocking the glass unicorn to the floor and breaking its horn off. "Now it's just like the other horses," Laura says. When Amanda learns that Jim was engaged she assumes Tom knew and lashes out at him: "That's right, now that you've had us make such fools of ourselves. The effort, the preparations, all the expense! The new floor lamp, the rug, the clothes for Laura! All for what? To entertain some other girl's fiancée! Go to the movies, go! Don't think about us, a mother deserted, an unmarried sister who's crippled and has no job! Don't let anything interfere with your selfish pleasure. Just go, go, go - to the movies !"

At play's end, as Tom speaks, it becomes clear that Tom left home soon afterward and never returned. In Tom's final speech, as he watches his mother comforting Laura long ago, he bids farewell: "Oh, Laura, Laura, I tried to leave you behind me, but I am more faithful than I intended to be! I reach for a cigarette, I cross the street, I run into the movies or a bar, I buy a drink, I speak to the nearest stranger - anything that can blow your candles out! [LAURA bends over the candles] - for nowadays the world is lit by lightning! Blow out your candles, Laura - and so good-bye." Laura blows the candles out as the play ends.


John Werleman


LAURA - Carlotta Payne
TOM - John Werleman

The Glass Managerie
Central 2000


A Revue

Produced by Barry Payne

Performed  April 1969

Gallery of stunts and acts from Central 200. Click on the images to view them full-size. 

This was a "a revue for eight players with a view to the CENTRAL COAST in the year 2000 a.d."  It's interesting to note that the term "Central Coast" existed in 1969, and we can see how accurate they were with sketches like "Hospital Call" calling for a hospital at Wyong, which finally opened in 1980, not beyond 2000 as implied by the call.  The revue was produced by Barry Payne.

The writing credits go to Frank McKone (for "Concrete", "Races" and "Prawner") Howard Cassidy (for "Hound" and "Milking") and Barry Payne himself (the rest - ie MOST of the revue).


Barry Payne


1. Opening Chorus
2. Equality in All Things
3. Mining Boom

4. I Came Back
5. History Is Junk
6. North Entrance Farewell
7. Water Test Part 1
8. Big Daddy Meets The Press
9. Olympic Pool Test
10. Water Test Part 2
11. Stranded
12. Water Test Part 3
13. The Millennium
14. Confidentiality
15. Mumbo - Jumbo
16. Water Test Part 4
17. Mafia Funerals
18. We Shall Not Be Moved


19. Legal Eagles
20. I Keep Coming Back
21. Hound Bound

22. Super Teacher Part 1
23. Malarkey's Elections
24. Super Teacher Part 2
25. Knocking Around
26. Super Teacher Part 3
27. Water Test - The Last
28. Concrete Facts
29. Hospital Call
30. Wyong Races
31. The Lone Prawner
32. Milking Exhibition
33. Wyong Show
34. Charity Begins At Home
35. Prawn Lake Ballet


STRANDED LADY - Beth Gingell
JUNK LADY - Ann Cassidy
TREE LADY - Heather Brown
WATER TESTER - George Geatches



John Hill


By John Van Druten

Produced by Rene Levenspiel

Performed August 1969

This was the entry for the 1969 NSW Arts Council's Drama Festival and opened in August 1969.  The producer was Rene Levenspiel.  (The adjudicator for 1969 was Robert Levis).  This is a play in two acts based on the novel by Katherine Forbes Mama's Bank Account.  It had 22 roles, and only one of these was doubled, so with 21 actors on stage it attracted new people to Wyong Drama Group as well as the usual stalwarts.

The play opens with Katrin Hanson, a young Norwegian girl living in San Francisco, reading from the manuscript of her autobiography. Then follow scenes from an important period of her life giving us glimpses of the career of this delightful, affectionate, impecunious family of Hansons.  Mama, the real heroine, is responsible ultimately for Katrin's literary career, in which I Remember Mama is her first success.  Period 1910.